![]() ![]() As much as I admire Veidt's charismatic looks and his facial expressions of pure madness, I honestly can't guess what the point of the tale was. The second tale stars my favorite actor from the silent era, Conrad Veidt, as the Russian Czar Ivan the Terrible. The premise is interesting enough, but the story lasts far too long. The baker, crazy jealous, wants to prove his manhood by breaking into to the palace and steal the Caliph's wishing ring. ![]() The first tale stars the Emil Jannings as the Caliph of Bagdad, and he's trying to woo the lovely wife of a simple baker. They actually are rather dull, incomprehensible and - in case of the first two - unnecessarily overlong. I truly wished I could say that the three individual segments were little masterpieces, but alas. The charming young man who presents himself doesn't only invent stories about the statues, but also processes himself and the sculptor's beautiful daughter in them. The resident wax-sculptor of a traveling carnival places an ad in the paper, looking for a writer to fantasize imaginative stories for his creations. The genius "Dead of Night" (1945) might have been a much better film, but "Waxworks" must have been the first. Director Paul Leni! Cast members Werner Krauss, Emil Jannings, William Dieterle, Conrad Veidt! What a cast! And the plot is so unique I even daresay "Waxworks" was the one and only forefather of the horror omnibus/anthology concept. The concept of the film is brilliant, and the names of the people involved are downright amazing! It seems as if everyone who was even remotely important during the German expressionism era was partaking in this film. "Waxworks", for instance, is much more fascinating from a 'historical value' point of view than from an 'entertainment' angle. I don't want to be harsh or negative on movies from the silent era because, after all, they were the true pioneers, but some of them are really an ordeal to struggle through.
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